Back Issues
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Volume 40, Number 1
- Postglobal Dance (Special Issue Editors: Emily Coates and Joe Roach)
- David Barreda
- Emily Coates
- Thomas F. DeFrantz
- Susan Leigh Foster
- Yasmeen Godder
- Adam S. Horowitz
- Opiyo Okach
- Andréya Ouamba
- Yvonne Rainer
- Joseph Roach
- Reggie Wilson
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Volume 39, Number 3
- Bernd Stegemann: What Comes After Postdramatic Theater?
- Serbian Theater at the Crossroads: Essay by Ivan Medenica, Interview with Milena Bogaval and Milos Lovac, Biljana Srbljanovic’s Barbelo, on Dogs and Children
- BAMBILAND by Elfriede Jelinek
- U.S. Playwrights on Language and the Iraq War
- Plus: Obama Dramas, Toy Theater Today, and Why Is Eclectic A Bad Word?
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Volume 39, Number 2
- The Censor's Verdict
- Liviu Malita interviewed by Tom Sellar
- In Cinderella’s Shoes: Romanian Theater Twenty Years after Communism by Marian Popescu
- The Old Road Rapidly Aging: Changes in Romania's Theater since 1989 by Cristina Modreanu
- Silviu Purcărete's World byAndrea Tompa
- Portfolio: Helmut Stürmer and the Romanian Theater
- Clap If You Want To by Razvan Penescu
- Portfolio: Dragos Buhagiar's Stage Designs
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Volume 39, Number 1
- Brett Bailey and Third World Bunfight: Journeys into the South African Psyche
- Nothing to Do with Patience
- Michael Thalheimer Interviewed and translated by Jonathan Kalb
- The Communist Dracula Pageant by Anne Washburn
- The Lost Envelope by Pierre Mujomba
- Allen Kuharski on Krystian Lupa's Factory 2
- David Cote on Lókal Theatre Festival
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Volume 38, Number 3
- World Reports on Stage Supression
- Praise Zenega: Surveillance and Protest in Zimbabwe
- John Houchin: America’s Fear of Live Bodies
- Miriam Felton-Dansky: Controlling the 21st Century
- Catherine Cole: South Africa’s Truth and Reconciliation Cantata
- Not Clown by Steve Moore and Carlos Treviño
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Volume 38, Number 2
- Andrea Tompa's essay “Hungarian and Independent”
- A manifesto by director Árpád Schilling: Notes of an Escapologist
- An interview with director Attila Vidnánsky
- Anna Lengyel's article on changes in the Hungarian theater system
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Volume 38, Number 1
- In the field with Bauerntheater
- Report from Johannesburg
- Malcolm Purkey Interview
- Street Theater in India
- David Modigliani's Wireless-less
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Volume 37, Number 3
- Socìetas Raffaello Sanzio
- On the Tragedia Endogonidia: Joe Kelleher, Nicholas Ridout, and Daniel Sack
- Romeo Castellucci’s Agamemnon and manifesto
- Tony Kushner on Brecht and Bush
- Ibsen Year: Books and Productions
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Volume 37, Number 2: The Veiled Monologues
- Adelheid Rosen and The Veiled Monologues
- The Soldier’s Tale: From Iraq to London
- Who’s Afraid of Rachel Corrie?
- Portfolio: Hotel Modern
- Christian Lacroix’s Red
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Volume 37, Number 1
- Bettina Brandl-Risi: Imperfection on the German Stage
- Ong Keng Sen on the New Chinoiserie
- Grand Magasin
- Philippe Quesne
- Plus: Václav Havel, Eduardo Machado, Pascal Rambert and more
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Volume 36, Number 3
- Patrice Pavis: Calamity at Avignon
- Claudia Wilsch Case on Theresia Walser
- Theresia Walser’s Our Forests Haven’t Been This Wild in Forever
- Political Puppets: A photo dossier by Eileen Blumenthal
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Volume 36, Number 2
- Gitta Honegger on Elfriede Jelinek
- Elfriede Jelinek’s Princess Plays
- Interview with Jelinek
- 30 Years of Théâtre du Soleil (Forum)
- Ariane Mnouchkine in Afganistan
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Volume 36, Number 1: Russian Theater: The Twenty-First Century
- John Freedman: Diary of a Moscow Critic
- Yana Ross: Russia’s Generation Vexed
- Marina Dmitrievskaya: St. Petersburg’s New Wave
- Nina Karpova: Russian Regional Theaters
- Ivan Virypaev’s Oxygen
- Danila Privalov’s 5-25
- 6 director interviews
- AKHE photo dossier
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Volume 35, Number 3: New York Then/New York Now
- Adrienne Kennedy: A Young Writer’s Arrival
- Judson Poets’ Theater Archives
- Charles McNulty on New York’s Terminal Diva
- CiNE: An Immodest Proposal for the Public Theater
- Boozy: The Life, Death and Subsequent Vilification of Le Corbusier and, More Importantly, Robert Moses by Les Freres Corbusier
- Real Estate Forum
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Volume 35, Number 2
- Robin Detje: Frank Castorf’s Never-Ever Land
- Richard Foreman’s Disappearing Act (interview)
- The Vomit Talk of Ghosts by Kevin Oakes
- Plus: Heiner Goebbels, De Keersmaeker, Teatr Wierszalin and more
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Volume 35, Number 1: Theater and Violence
- Tom Sellar: Notes on Theater and Violence
- Mark Lord: We Are Not Safe
- Seven Seconds (In God We Trust) by Falk Richter
- Gulliver’s Choice by Jonathan Kalb
- Robert Woodruff on Oedipus
- Moscow Remembers a Siege (forum)
- 24 Hours Are Not a Day by René Pollesch
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Volume 34, Number 3: Witold Gombrowicz’s Century
- Allen Kuharski on staging Gombrowicz
- Gombrowicz in production (photo essay)
- Gombrowicz’s Polish Memories
- A Feast at Countess Katlubay’s, adapted by Michael Hackett and Anna Krajewska-Wieczorek
- Plus: Remembering Joseph Chaikin (Forum)
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Volume 34, Number 2: Change
- Elinor Fuchs on Plays and Planets
- Babylon Is Everywhere, or Petrolia Restor’d, a courtly masque and manifesto by David Levine, Gordon Dahlquist, and Michael Byrnes (CiNE)
- Eurydice by Sarah Ruhl
- Vassily Sigarev’s Plasticine
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Volume 34, Number 1: Classics Reconditioned
- Molière’s The Imaginary Invalid, translated by James Magruder
- Kleist’s Penthesilea, translated by Douglas Langworthy
- Calderón’s The Great Theater of the World, translated by Rick Davis
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Volume 33, Number 3
- Tom Sellar: Poland’s Old and New Masters
- Polish Director Interviews
- Marsha Ginsberg (design portfolio)
- Barbara Ehrenreich’s Nickel and Dimed on Stage
- Artists and Scholars in Conversation
- medEia by Dood Paard
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Volume 33, Number 2
- Jack Zipes on children’s theater and globalization
- The Stones by Tom Lycos and Stefo Nantsou
- A Very Old Man with Enormous Wings , adapted from the short story by Gabriel García Márquez by Nilo Cruz
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Volume 33, Number 1
- Art Spiegelman’s Drawn to Death: A Three Panel Opera
- Framji Minwalla on Homebody/Kabul
- Jonathan Kalb on the death (and life) of American theater criticism
- Jan Lauwers, interviewed by Erika Rundle
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Volume 32, Number 3
- Remembering Jan Kott (forum)
- Dragan Klaić: Restaging Europe
- Jimmy Carter Was a Democrat by Rinne Groff
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Volume 32, Number 1
- American theaters respond to 9/11
- Una Chaudhuri on Interculturalism after Postcolonialism and Globalization
- Artistic Directors on Criticism
- Editors on Theater Publishing
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Volume 31, Number 3: Theater and Social Change
(Alisa Solomon, Guest Editor)
- Lani Guinier and Anna Deveare Smith: A dialogue
- Jonathan Kalb on Documentary Solo Performance
- Essays, conversations, and statements by Arlene Goldbard, Holly Hughes, Tony Kushner, Robbie McCauley, Judith Malina, Bill Rauch, Alisa Solomon and many others
- I Love New York, or Starbucks out of Hell’s Kitchen by Reverend Billy
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Volume 31, Number 2
- Experimental Playwriting: A Dialogue
- Expression under Pinochet: Four Theater Stories
- Rethinking Our Field: A Forum
- Showy Lady Slipper by Richard Maxwell
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Volume 31, Number 1: Theater and War
- Erika Munk on War Theater in Serbia
- Annabelle Winograd: Performances at the Western Front, 1914-1918
- Ruth Juliet Wikler on Spanish Civil War Agitprop
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Volume 30, Number 3: 100 Years of Kurt Weill
(Tom Sellar, Guest
Editor)
- Peter Ferran on the Threepenny songs
- Kim Kowalke on Weill’s American Dreams
- Bruce McClung on Myths and Monographs
- Previously unpublished Weill librettos (translated by Jonathan Eaton): Die Bürgschaft [The Pledge] by Caspar Neher and Kurt Weill; Royal Palace by Iwan Goll
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Volume 30, Number 2: New Music-Theater
- Eric Salzman on the origins of new music-theater
- Kyle Gann: Music Theater Lite for a Dark Age
- Jack Zipes on Shockheaded Peter
- Ben Katchor’s Carbon Copy Building: A Comic Book Opera
- Rinde Eckert’s Romeo Sierra Tango, Idiot Variations, and The Gardening of Thomas D.
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Volume 30, Number 1: New Translations
- Biljana Srbljanovic’s Family Stories: Belgrade, translated by Rebecca Ann Rugg
- Thomas Bernhard’s Minetti, translated by Gitta Honegger
- Racine’s Phèdre, translated by Paul Schmidt
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Volume 29, Number 2
- Remembering Jerzy Grotowski (forum)
- Speaking of American Theater: Mark Lord, Suzan-Lori Parks, Erik Ehn, and Thalia Field
- The Guerrilla Girls
- Bindlestiff Family Cirkus
- The Myopia by David Greenspan
- My Mother’s Courage by George Tabori
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Volume 29, Number 1
- Gitta Honegger: Beyond Berlin, Beyond Brecht
- Marc Robinson on Robert Wilson’s Berlin Triptych
- The Race of the Ark Tattoo by W. David Hancock
- Lady from the Sea, by Susan Sontag (based on the play by Henrik Ibsen)
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Volume 28, Number 3
- 1968-1998 Theater Survey
- Manifesto 1998 by Maya Gurantz
- Legacies and Their Discontent by Gordon Rogoff
- A Memoir of the Living Theatre at Yale
Volume 28, Number 2
- Essays on Meyerhold by David Chambers, Katerina Clark, Nikolai Pesochinsky, and others
- Meyerhold’s Petition from Prison
- Revizor: Episode Four, “After Penza” by Nikolai Gogol/Vsevolod Meyerhold
- An Excerpt From Harold Clurman’s Unpublished Diary
Volume 28, Number 1
- Industrial Art: The Theater of Michel Vinaver by Gideon Lester
- Wole Soyinka: The Hunter, The Hunt by Olesegun Ojewuyi
- An Interview of Wole Soyinka
- The Interview— A Play in Thirty Pieces, by Michel Vinaver
- Pearls for Pigs, a play by Richard Foreman
Volume 27, Number 2-3
- Beyond the Wilson-Brustein Debate: Margo Jefferson, Eugene Nesmith, Alan Nadel, and others
- The Negro Units of the Federal Theater Project and their Plays
- Theater der Welt ’96 in Dresden
- The Difficulty of Crossing a Field and Cat’s—Paw, two plays by Mac Wellman
Volume 27, Number 1
- The Performance of Patriotism by Blanche Davidian
- Blasted, a play by Sarah Kane
- Germany Remembers Heiner Müller
- Forum on Theater and Money: Kathy Acker, Robert Brustein, Judith Malina, and others
Volume 26, Number 3
- Hey—Stop—That by Thalia Field
- Alice by Paul Schmidt
- Berlin/Berlin by Oana Hock Cajal
- Playwriting in Europe
- Resuscitating the Best American Play Ever Written
Volume 26, Number 1-2
- The Theater of Utopia by Tony Kushner
- The Utopia Parable by Mark Lord
- The Rules of Piracy and an interview with Kathy Acker
- Utopia Forum with Anne Bogart, Eric Bentley, Robert Wilson, Adrienne Kennedy, and others
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Volume 25, Number 3
- South African Theater in Crisis by Carol Steinberg and Malcolm Purkey
- Truth and Consequences in Post-Apartheid Theater by Mark Gevisser
- Anne Bogart’s Viewpoints
- Jan Kott: Essay and Interview
Volume 25, Number 2
- Brecht/”Brecht”—A Symposium with Gay Gibson Cima, Liz Diamond, John Willett, and others
- Peter W. Ferran on The Measures Taken
- Alisa Solomon on The Good Person of Szechwan
- Philoktetes, a play by John Jesurun
Volume 25, Number 1
- Play as Landscape: Another Version of Pastoral by Elinor Fuchs
- Essays by Una Chaudhuri, Sheila Rabillard, Peter Schumann, and others
- Charles Ludlam: A Memoir by Stuart Sherman
- An Interview with Elfriede Jelenek
- My Head Was a Sledgehammer by Richard Foreman
Volume 24, Number 3
- Erika Munk on Sarajevo and War Theater
- Dr. Divine Presents Baby Zoe’s Midway Spectacular and Cabinet of Curiosities, by Len Jenkin and John Arnone
- Interviews with Susan Sontag and Sarajevo’s actors
- Imperceptible Mutabilities in the Third Kingdom, a play by Suzan-Lori Parks
Volume 24, Number 2
- Essays by John Clum, Charles McNulty, Alisa Solomon, and others
- Angels in America, Devils in the Wings by Gordon Rogoff
- Mississippi Freedom: South and North by Robbie McCauley
- Terra Incognita, a libretto by Maria Irene Fornes
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Volume 24, Number 1
- Essays on New American Theater by Elinor Fuchs, Marc Robinson, Mac Wellman, and others
- Richard Gilman and Harold Bloom on Chekhov
- The Oleanna Debate
- The Hour When We Knew Nothing of Each Other, a play by Peter Handke
Volume 23, Number 3
- Essays on the Ridiculous Theatrical Company, Theatre de la Jeune Lune, Dario Fo, and others
- “It’s Fun to Have Your Hands Full of Green Slime and Not Know What It Is” by Stephen Haff
- Interviews with Paula Poundstone and Ken Campbell
- Dexter, a teleplay by Eric Overmyer
Volume 23, Number 2
- Essays on Seattle Children’s Theater, outreach programs, Euripides raps in schools, and others
- A Postmodern Challenge: Universal Truths Need Not Apply by Sharon Grady
- Romeo and Juliet in East L.A. by Susan Mason
- Seeing Double: a Middle Eastern Comedy of Errors, a play by The San Francisco Mime Troupe
Volume 23, Number 1
- Essays on Robert Wilson, W.B. Yeats, Martha Graham, and others
- A look at the work of Native playwright Tomson Highway
- Postmodernism, or The Revenge of the Onanists by Framji Minwalla
- An interview with designer Ming Cho Lee
- Don’t Start Me To Talking Or I’ll Tell Everything I Know, a play by John O’Neal
Volume 22, Number 3
- Bread and Puppet Theater’s The Foot
- When’s the Play? Time and the Theory of Drama by Una Chaudhuri
- Essays on Beckett, Lorca, Wilson, and others
- A Post-Mortem for the Post-Modern by Roger F. Copeland
- Underground, a play by Joshua Sobol
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Volume 22, Number 2
- The Last Decade: Stanislavski and Stalinism by Anatoly Smeliansky
- Richard Gilman on Chekhov’s Ivanov
- Agit-Fantasy: Meyerhold’s D.E. by Mel Gordon
- The Bathtub, a play by Paul Schmidt, adapted from Mayakovsky’s The Bathhouse
Volume 22, Number 1
- New Artistic Directors: Anne Bogart, Emily Mann, Douglas Wager, and others
- Queen Lear: Reason Not the Need by Gary Jay Williams
- Notes on Swedish playwright Lars Norén
- Two Running Trains, a play by August Wilson
Volume 21, Number 3
- The Marc Robinson: New Writing
- New Writing and the Classics: an Exchange
- John O’Keefe: Impresario of the Unavailable
- The Death of the Last Black Man in the Whole Entire World by Suzan-Lori Parks
Volume 21, Number 1-2
- Revolution from 1789 to 1978
- Theatricalizations of the French Revolution: The Avignon Festival and the Goude Parade
- Breaking the Bond with Edward Bond
- Dario Fo’s The Story of the Tiger, translated by Ron Jenkins
Volume 20, Number 3
- A Call of Peace, Disarmament and Theater
- The Effect of Glasnost: Soviet Theater from 1985 to 1989
- The Economic Experiment: Soviet Theater of the Last Decade
- The Theater of Joseph Stalin
- Cinzano by Liudmila Petrushevskaya
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Volume 20, Number 2
- Changing Sex in Public: Female Impersonation as Performance
- “Not of Woman Born”: Gender Politics in Greek Tragedy
- David Hwang’s M. Butterfly: Perpetuating the Misogynist Myth
- Juan Darien: A Carnival Mass by Julie Taymor and Elliot Goldenthal
- Phaedra by Elizabeth Egloff
Volume 20, Number 1
- New Translators, New Translations
- Princes of the Clouds: Julius Slowacki and Kordian
- Victims of the Rococo: Marivaux and The Triumph of Love
- The San Francisco Mime Troupe: THE MOZAMGOLA CAPER
Volume 19, Number 3
- The Forest: A Preview of the Next Wilson-Byrne Collaboration
- Une Liaison Ennuyeuse: Wilson’s Production of Müller’s Quartet
- Heiner Müller’s Der Lohndrücker, 1988
- The Piano Lesson by August Wilson
Volume 19, Number 2
- Peter Brook’s Mahabharata: A View from India
- Myth and Music: Resonances Across the Continents and Centuries
- From the Dream to The Mahabharata: Or, Draupadi in the Deli
- Melons by Bernard Pomerance
Volume 19, Number 1
- Imaginary Invalids: A Theater of Simulated Patients
- Gay Rights and Revels: New York’s Lesbian Pride Day
- How Much is that Royal Doulton Greyhound in the Vitrine?
- A Place with the Pigs by Athol Fugard
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Volume 18, Number 3
- Toto: The Violence of the Marionette and the Mask by Dario Fo
- Zen and the Heart of Physical Comedy: The revenge of Murphy’s Law
- Three Gags in Ludlum
- Ubu Rides Again: The Irondale Project and the Politics of Clowning
- Almost by Chance a Woman: Elizabeth by Dario Fo
Volume 18, Number 2
- Laurence Selenick: Melodramatic Gesture in Carte-de-Visite Photographs
- Camera Theatron: Sherman/Steichen
- Past, Present, Future Photography: an Essay and Photo Portfolio
- Green Card by Joanne Akalaitis
- From an Ant in Hell: The Warrior Ant, Part Four by Lee Breuer
Volume 18, Number 1
- Translations, Adaptations, Variations: A conversation with Eric Bentley
- “Nailed to a Circus of Blood” : Ajax at the American National Theater
- Sophocles’s Ajax, adapted by Robert Auletta
- Jan Kott: The Bottom Translation
Volume 17, Number 3
- American Production Dramaturgs
- Interviews with Oskar Eutis, Russel Vandenbroucke, Amrtin Esslin, Anne Cattaneo, Arthur Ballet, Gitta Honegger, Richard Nelson, Mark Bly
- Joe Turner’s Come and Gone by August Wilson
Volume 17, Number 2
- Brecht on Brecht
- Bertolt Brecht’s Conversations in Exile, adapted by Howard Brenton
- Heiner Müller’s The Slaughter, translated by Silberman, Fehervary, and Webeer
- Heiner Müller: To Use Brecht Without Criticizing Hun is to Betray Him
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Volume 17, Number 1
- Theodora Skiptares: The Age of Invention
- An Open Couple by Franca Rame and Dario Fo
- Three Generations of Lighting Designers: An Interview with Peggy Clark Kelley, Jennifer Tipton and Danianne Mizzy
- Seeing with Clarity: The Visions of Maria Irene Fornes
Volume 16, Number 3
- The Sake of Argument: A New American National Theater
- Beyond Teacups and Wallpaper: The American Ibsen Theater
- A Stage of Learning: The Brecht Company
Volume 16, Number 2
- Lyubimov and the End of an Era: An Interview with Peter Sellars
- Watching Big Brother: Orwell’s 1984 at Niagara-on-the-Lake
- Fallow Farm: Orwell’s Animal Farm at the National Theater
- “Idi Amin Was the Supreme Actor”: An Interview with Wole Soyinka
- Rum and Coke by Keith Reddin
Volume 16, Number 1
- The Road to Mecca byAthol Fugard
- Interview with Athol Fugard
- James Earl Jones on Fugard
- In Dialogue with Himself: Athol Fugard’s Notebooks
Volume 15, Number 3
- Kroetz Before The Nest and After
- The Nest A Play of Ordinary Life by Franz Xaver Kroetz
- Thinking in Public: An Interview with Franz Xaver Kroetz
- Kroetz in San Francisco: Oskar Eustis on Neither Fish Nor Fowl
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Volume 15, Number 2
- Ten Directors in Search of a Theater: Joanne Akalaitis; Adrian Hall; Mark Lamos; Emily Mann; Des McAnuff; Travis Preston; Peter Sellars; Stan Wojewodski, Jr.; Robert Woodruff; Garland Wright
- Chopin in Space by Philip Bosakowski
- My Life as Chopin: An Interview with Philip Bosakowski
Volume 15, Number 1
- Theatrical Texts and Social Context
- Socio-Criticism
- Theatrical Comprehension: A Socio-semiotic Approach
- Appearances Are Deceiving by Thomas Bernhard
Volume 14, Number 3
- About Face by Dario Fo
- Tadeusz Kantor on Wielopole, Wielopole
- Jan Kott on Kantor and Brook
- Robert Wilson and Beckett’s Company
- Sam Shepard’s Fool for Love
Volume 14, Number 2
- Eric Bentley Remembers Brecht’s Life
- Valesa: A Nightmare by Jerzy Tymicki
- Interview with Jan Kott
Volume 14, Number 1
- Master Harold. . .and the boys by Athol Fugard
- Eric Bentley on Stark Young
- Eugene Lee’s Stage Designs
- Andrei Serban’s Marriage of Figaro
- Dario Fo’s Obscene Fables
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Volume 13, Number 3
- Dead End Kinds by Mabou Mines/JoAnne Akalaitis
- Ingmar Bergman on Ibsen, Strindberg, and Bergman
- A Midsummer Night’s Dream at the RSC
- Jane Martin’s Monologues in Louisville
- Eugene O’Neill’s Unfinished Plays
- Christopher Hampton’s Tales from Hollywood
Volume 13, Number 2
- Rip Van Winkle by Richard Nelson
- Jonas Barish’s The Antitheatrical Prejudice
- Philip Glass’s Satyagraha
- Meredith Monk’s Specimen Days
- Reviews of Performances by Laurie Anderson, Robert Ashley, and Others
Volume 13, Number 1
- Tingeltangel by Karl Valentin
- Andrei Serban on Chekhov
- Contemporary Theater in France
- American Scene and Costume Designers
Volume 12, Number 3
- Madame Adare by Richard Foreman
- Sister Suzie at the Cinema by Lee Breuer
- The Sad Lament of Pecos Bill by Sam Shepherd
Volume 12, Number 2
- Howard Brenton's Sore Throats
- Martin Esslin on Johann Nestroy
- Eric Bentley on Bertolt Brecht
Volume 12, Number 1
- Augusto Boal, Enrique Buenaventura
- Essays on Shepard's True West
- Strehler's The Storm
- Weiss's Investigation
Volume 11, Number 3
- Euripides at Bay Translated by William Arrowsmith
- Jan Kott on Ajax and Philoctetes
- Peter Stein’s Oresteia, Luca Ronconi’s Bacchae, and Suzuki Tadashi’s Trojan Women
- Antigone in Calcutta
- A.M. Nagler on Don Giovanni
Volume 11, Number 2
- A Lesson From Aloes by Athol Fugard
- Jan Kott on Ibsen
- Reviews from New York, New Haven, Berlin, and Cambodia
Volume 11, Number 1
- Mark Taper Forum’s Playworks
- Heiner Müller’s Cement at the Berkeley Stage
- International Festival of Children’s Theater in West Berlin
- Carbbean Arts Festival in Havana
- New Jerusalem at the Public Theater
Volume 10, Number 3
- Interviews with the Guthrie, Yale Rep, Arena Stage, and Other Theaters
- Resident Theaters in Chicago
- David Mamet and Ted Tally on Playwrights and Regional Theaters
- Jan Kott’s “Letters on Hamlet”
Volume 10, Number 2
- Accidental Death of an Anarchist by Dario Fo
- Great Britain’s 7:84 Company
- Daniel Gerould on Political Cabaret in Poland
- Two Satires by Mayakovsky Translated by Jennifer Oille
- Piscator and the Legacy of Political Theater
Volume 10, Number 1
- American, British, and German Dramaturgs Speak Out
- The Snake Theater of Sausalito
- The Festival of American Mime
- A Review of Sam Shepard’s Tongues
Volume 9, Number 3
- Derrida on The Theater of Cruelty
- Photography Portfolio: The Alfred Jarry Theater
- Interviews with Charles Marowitz and Andrei Serban on Artaud
- A Letter from Artaud to Henri Parisot
Volume 9, Number 2
- Plays and Play Exceprts by Adrienne Kennedy, Richard Foreman, and Many Others
- Interview with Jack Gelber and Amiri Baraka
- Essays by Sam Shepard, Robert Brustein, and Martin Esslin
Volume 9, Number 1
- A Retrospective of the West Berlin Theater Collective
- An Interview with Peter Stein and Dieter Sturm
- Review of Sam Shepard’s Inacoma
Volume 8, Number 2-3
- An Essay on the Actor and Society
- The History of American Acting
- An Essay on Joseph Chaikin’s Theory of Acting
- Interviews with Adler, Brustein, Chaikin, Meisner, Strasberg, and Others
Volume 8, Number 1
- Anthony Graham-White on Characteristics of Traditional Drama
- A South African Experimental Theater Workshop
- The Mwondo Theatre of Zaire
- Modern vs. Traditional Theatre in Nigeria
- A Review of Tennessee Williams’s Memoirs
Volume 7, Number 3: Five Plays
- The Idiots Karamazov by Christopher Durang and Albert Innaurato
- The Marriage of Bette and Boo by Christopher Durang
- The Sovereign State of Boogedy Boogedy by Lonnie Carter
- The Transfiguration of Benno Blimpie by Albert Innaurato
- Madman’s Diary by Nikolai Gogol, adapted by Eric Bentley
Volume 7, Number 2: Gorky
- Introduction: The Grand Illusionist
- Gorky, Melodrama, and the Development of Early Soviet Theatre
- Gorky vs. Pushkin
- Conversation with Sophie Dubinov
- Peter Stein’s Gorky
Volume 7, Number 1
- Interview with Richard Foreman and Hotel for Criminals
- The Old Vic to Vincennes: Interviews with Michael Kustow and Peter Brook
- Tadeusz Micinski, The Ballad of the Seven Sleeping Brothers in China
- The Volksstücke Revival: Ödön von Horváth
- Reviews of The Island and Sizwe Banzi is Dead
Volume 6, Number 3
- Heat by William Hauptman
- Foreplay, Door Play by Robert Auletta
- Request Concert by Frank Xaver Kroetz
Volume 6, Number 2: Brecht, Wedekind, Felsenstein, Waja
- Notes on the Komische Oper of East Berlin
- Andrzej Waja on Theatre, Film and The Possessed
- Bertolt Brecht, Der Jasager
- Wedekind’s Frosty Spring
Volume 6, Number 1
- Daumier at the Theater
- The Theatre of Franz Xaver Kroetz
- Eileen Blumethal, The Presence of Character
- Susan Yankowitz, The Land of Milk and Funny
Volume 5, Number 3
- Witikiewicz, Childhood Plays
- The "Voodoo" Macbeth of Orson Welles
- A Thirties Harlequinade: Artaud and Jean-Louis Barrault Ira Hauptman & Stephen R. Lawson on Strindberg
Volume 5, Number 2: Tonight We Improvise
- Richard Gilman on Pirandello
- A Conversation with David Shepherd
- Interview with Theodore J. Flicker
- Notes on The Proposition
- Improvising Aeschylus
Volume 5, Number 1: Watergate Classics
- Short plays in response to Watergate:
- Philip Roth, The President Addresses the Nation
- Robert Brustein, Dick’s Last Tape
- Three Songs from the Dickado
- Art Buchwald, Instant Answers
Volume 4, Number 3: Music and Theater
- W.S. Gilbert and the Musical
- The Black Musical in America
- Drama and the Opera Libretto
- Theatre in Contemporary Music
Volume 4, Number 2
- Stanley Kauffman, Notes on Theater and Criticism
- John Pilkington, Letters of a Southern Drama Critic
- Ann Margaret and the Critic
- The Drama Criticism of Henry James
Volume 4, Number 1: Playwriting
- Fugard on Fugard
- Jacques Lecoq, Mime-Movement-Theatre
- The Plays of Tristan Tzara
- On Story Theatre
Volume 3, Number 3: Georg Büchner
- Robert Brustein: Büchner, Artist and Visionary
- Richard Gillman: Georg Büchner, History Redeemed
- Joel Schechter, Georg Büchner’s Lost Play
- A Büchner Bibliography
Volume 3, Number 2
- Interview with George Steiner
- Interview Jorge Lavelli
- Jacques Burdick, Notes on the Pillory Theater
- Jonathan Marks on MacGowran’s Beckett
Volume 3, Number 1: Design
- Emphasis: The Visual Image
- Donald Oenslager on Robert Edmond Jones
- Kandinsky and Kokoschka
- An Interview with Ming Cho Lee
- Eugene Lee, Slaveship Notes and Design
Volume 2, Number 3: Education vs. Theatre
- Emphasis: Education vs. Theatre
- Polarity and Stasis: Drama as Reflection of a Revolution
- The Stratford Repertory Theatre
- In Defense of "A Natural Formation"
Volume 2, Number 2: New Playwrights
- Eric Bentley, Quality in Theatre
- Sam Shepard: Paired Existence Meets the Monster
- Plays by David Epstein, Morton Lichter, Pamela Jones, Leo Rutman, Robert Patrick, Rochelle Owens, Emmanuel Yirenchi, Susan Yankowitz
Volume 2, Number 1: The Living Theatre
- Documents of Passage, Correspondence between Radical Theatre Rep & the INS
- Letters from the Becks
- The Living Theatre raps
- Flip pages, a creation collective
Volume 1, Number 3
- Ritual and Theatre
- Sex and the Censored Salome
- Dr. Keal by María Irene Fornés
- Sweet Eros by Terrence McNally
Volume 1, Number 2: Crisis 1968: Politics and Imagination
- Arnold Weinstein’s new translation of Brecht’s Mahagonny
- Lee Braxandall on Breakthrough
- Peter Weiss, The Necessary Decision
- Symposium: Theatre and American Political Life
- Methodman!
Volume 1, Number 1: Do we need Greek Theatre?
- Robert Brustein – No More Masterpieces
- Myth and Modern Theatre
- THE BACCHAE: From Four Sides
- Jan Kott – Ajax and the Grotesque
- Seven Against Thebes, The Life of Narrative